Blog

Meanwhile…

Two brief snippets today – WhenonGE (When on Google Earth) is still unsolved at Theoretical Structural Archaeology. For those who are unfamiliar with the game, It’s a game for archaeologists, or anybody else willing to have a go! The host posts a google earth image of an archaeological site, you try to identify the site in the picture.The first person to correctly identify the site, including its major period of occupation, wins the game and gets to host the next one on their own blog or a nominated blog.

And just up at http://sortingoutscience.net/ is the latest 4 Stone Hearth Blog Carnival.

Competition winner

Oh! And the winner of our competition is Southie Sham….

Unfortunately we feel his entry is unpublishable…. Suffice to say that his ‘find and replace’ was deemed ‘rude’ by the judges (but he was the only entrant).

Well done Southie. A copy of Pete Brown‘s  ‘Three Sheets to the Wind‘ and Julian Gough’s ‘Free Sex Chocolate – Poems and Songs’  (http://www.salmonpoetry.com/details.php?ID=191&a=177) are on the way.

Galway.. Then

Fishmarket & Claddagh Village, Galway 1913.

While doing some research on the Spanish Arch area I came across these remarkable colour  images from 1913, part of the Alfred Kahn collection.

Kahn, a French Banker commissioned a project in the early part of the last century to collect a photographic record of the entire Earth. He appointed Jean Brunhes as the project director, and sent photographers to every continent to record images of the planet using the first colour photography and early cinematography. His collection covers over 50 countries and entails 72,000 colour photographs and 183,000 meters of film and is known as “The Archives of the Planet”. The Albert Kahn museum now has the largest collection in the world.

From the Albert Kahn website. There are a number of other Irish images including other parts of Galway and Connemara. It’s an excellent website and well worth exploring.

Grave Robbing in Donegal

The story of the human remains recently discovered, and subsequently ‘dissappeared’ in Donegal, which we tweeted about the other day (http://twitter.com/mooregroup) has taken a bizarre twist. Yesterday they were handed back by an anonymous “amateur archaeologist“.The story broke on Wednesday last (see here –http://www.rte.ie/news/2010/0428/donegal.html). In brief – in the process of delivering sand from a quarry in Gweedore to a GAA training pitch in Ballintra human skeletal remains including a skull were discovered. This was reported to Caroline Carr of the County Museum who investigated and called in the National Museum to recover and rescue the remains. However, by the time the Museum arrived, someone had removed the remains.

After a media appeal issued by Donegal Museum, the remains were returned by the anonymous so-called ‘amateur archaeologist’ who “was worried they would be damaged and he removed them for safe-keeping”. Equally worrying, according to the Irish Star yesterday, he also returned a number of artefacts which he had collected from the area over a period of years.

Caroline Carr said that ‘the actions of the anonymous person, however well-meaning, had destroyed an archaeological site’. At least he had the decency to return them… but I think Caroline is being very polite in leaving it at that in her commentary – the most worrying aspect of the story is the fact that this individual destroyed an archaeological site. The fact that other artefacts recovered over a period of years were also returned gives lie to the ‘well meaning’ removal of the human remains. The unknown individual removed the remains without consideration of their context and in the process may have ruined any chance of establishing their provenance.

EEA Beer Session & a wee competition

We were briefly excited by the news of an alcohol and beer session at the upcoming European Association of Archaeologists conference in September. Here’s the session description with a ‘find and replace’ done. See if you can spot the difference. The original is here.

During the last twenty years the anthropology of formica table top consumption has greatly expanded. Almost at the same time, related archaeological research has gained momentum following seminal works by Sherratt and Dietler. Formica table tops are now well understood as a meaningful embodied artefact and a powerful catalyst of socio-political dynamics of change, integration and exclusion. However, we strongly feel that a systematic approach to the role of formica table tops in past societies is still lacking in many European countries. Previous research on the topic has mainly focused on a narrow range of themes such as colonial encounters, trade, commensality, elite consumption and analysis of table making implements in terms of origin, typology and diffusion. A large array of topics already discussed in mainstream anthropological discourse has been left relatively unexplored. Comprehensive methodological and theoretical reflection is partially missing. The aim of this session is to offer a remedy to the pitfalls identified in current archaeological research by exploring the social role of practices of formica table top consumption in Bronze and Iron Age Europe in the more general framework of ritually formalized food practices. Contributors are welcome to engage with topics which include but are not limited to: – the construction of identity and selfhood via formica table top consumption; – the role of gender, age, rank, religion and ethnicity in determining people’s approach to the table: papers are particularly encouraged to investigate the possible engagement of women, children, non-elite and marginal individuals to table habits; – the interplay between practices of formica table top and solid food consumption at the funeral and in other ritual contexts; – the impact of innovative approaches to the materiality of formica table top production and fruition; – we also wish to investigate the yet scarce, but sometimes very significant, data derived from scientific residue analysis of containers, in order to insert new material into the debate.

So here’s a little competition. Send us your own ‘find and replace’, your snail mail address and the best entry (as judged by me and Billy) will win a copy of Pete Brown’s excellent ‘Three Sheets to the Wind’ and will be re-published here.

Oh, and extra bonus points for the most imaginative definition of ‘materiality’…